Seven Samurai (1954)

Seven Samurai / Akira Kurosawa / 1954 / fivestar

Active Ingredients: Richness of character and theme; Epic scope; Framing
Side Effects: Some tones might feel unfamiliar to Western audiences


Seven Samurai is a film so rich and prismatic as to belie its simple, elemental narrative. The compelling moral fable advanced by Kurosawa (and copied so relentlessly in Western cinema) is justly remembered, but what’s often overlooked is the geometrically interlocking subplots, the universe of human experience the film establishes and the complex ways those experiences group and interact, reach out and perhaps ultimately fail to truly integrate.

Never has the individual and the group been so richly explored narratively, and compellingly dramatized visually. Again and again, Kurosawa frames exquisite, dynamic compositions emphasizing layers of alignment between characters, either deepened into discrete fields with wide-angle lenses, or flattened into stark juxtaposition by telephoto ones. The facility with which these tableaus are composed and intercut is just one of the film’s many miracles.
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The Fits (2016)

The Fits /Anna Rose Holmer / 2016 / fourstar

Active Ingredients: Tonal balance; Modest scope; Depiction of joy
Side Effects: Mystery surrounding “the fits”


The Fits is a fantastic debut of a new voice and a refreshing sensibility. Co-writer and director Anna Rose Holmer shows remarkable control over the size and scope of the world she depicts—an impress feat for a first-time feature director. She’s content to keep the film modest. “Modest” may feel like a dirty word, but it’s the perfect choice for this wispy breath of a film. Holmer’s vision and execution are perfectly aligned. Read more…

American Honey (2016)

American Honey /Andrea Arnold / 2016 / twostar

Active Ingredients: Real people; Small moments of connection
Side Effects: Runtime; Repetitive narrative


With its fringy naturalism, American Honey presents a unique snapshot of contemporary youth and culture, but its impact as pathos and drama will depend on the tolerance of its audience. One woman’s travel of self-discovery could be another’s roadtrip that refuses to end.

British director Andrea Arnold has been known for sensitive, gritty realism (Fish Tank) and stormy emotional turbulence (Wuthering Heights), and though these modes may seem opposed, they combine in American Honey. The film, cast largely with non-professional actors and photographed in real locations around the country, follows a hardscrabble teenaged girl, Star (Sasha Lane) who impulsively joins a gang of other poor, directionless youths to travel the midwest in a van. Their stated goal is to peddle magazines for a shifty impresario (much like an older version of themselves), but work seems secondary to partying, drinking, singing along to hip-hop and socializing in truck stops and seedy motels. Read more…

Voyage of Time: The IMAX Experience (2016)

Voyage of Time: The IMAX ExperienceTerrence Malick / 2016 / fivestar

Active Ingredients: Childlike wonder; painterly images; poetic inquiry
Side Effects: Truncated feel


Terrence Malick’s paean to existence, Voyage of Time: The IMAX Experience, begins with an incantation, an invitation to its watcher. “Dear Child,” it begins. “Today you’re going to watch a movie that shows the story of the universe. From the birth of stars, to modern cities glowing in the night.”

That the film is explicitly addressed to Child is no accident. Whether it speaks to a literal boy or girl, like the ones we see in the film’s opening minutes; the ever-inquisitive inner child within all of us; or the child of the universe that is every living thing is irrelevant. All are one, all yoked together in the unfathomable miracle of existence. Read more…

“The Witch” and the Perversion of Spirituality

Robert Eggers’ striking debut The Witch is still one of the year’s very best films months after its release. With its creepy period specificity and effective tension that never cheats, the film is a bona fide instant horror classic. And October is a perfect time to revisit the film, or check it out for the first time. My original review can be found here, but this spoiler-filled post explores more of The Witch‘s themes of Satanism as an inversion of Christianity, and a perversion of spiritual ecstasy. Read more…

The Godfather (1972)

The Godfather / Francis Ford Coppola / 1972 / fivestar

Active Ingredients: Duvall and Cazale; Themes of ambition and corruption
Side Effects: Michael’s sudden turn towards the Family

One of the most interesting aspects of The Godfather—whose mammoth reputation threatens to swallow whole a work that is still compelling, alive and occasionally troubling is its stylistic positioning as a classical work in a modern cinematic landscape. Its nostalgic auburn hues, novelistic scope and stately compositions must have felt nearly old-fashioned in a time of “easy riders and raging bulls.” Read more…

Everybody Wants Some!! (2016)

Everybody Wants Some!! / Richard Linklater / 2016 / fourstar

Active Ingredients: Fun, convivial vibe; Cast of characters; Subtlety of insights
Side Effects: Loose structure makes for some awkward rhythms

Nobody makes films like Richard Linklater: warm, rambling, laconic, inviting, and just mellow, man. He has a knack for disarming the viewer in the most unassuming way. There’s no showy gimmicks or ostentatious style, just a naturalistic rhythm and a structure that quietly flies in the face of rigid narrative convention.

Case in point is Everybody Wants Some!!, Linklater’s “spiritual sequel” to Dazed and Confused. It’s a loose ensemble film with no stakes, little incident and even less conflict. It’s about a freshman (Blake Jenner) joining a baseball team in the first few days of college in 1980. He gets to know the guys, goes to some parties, listens to some sweet tunes, meets some girls and muses, with no real sense of urgency or purpose, on the kind of person he wants to become. Read more…