Film Capsule

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Index

  • Our Time (2018)
  • The Wild Pear Tree (2019)
  • Infinite Football (2018)
  • The Image Book (2019)
  • The Best Performances and Scenes of 2018
  • The Top 20 Films of 2018
  • Shoplifters (2018)
  • The Other Side of the Wind
  • Monrovia, Indiana (2018)
  • Ex Libris – The New York Public Library (2017)
  • A Ghost Story (2017)
  • Dunkirk (2017)
  • Song to Song (2017)
  • The Best Performances and Scenes of 2016
  • The Top 20 Films of 2016
  • Manchester by the Sea (2016)
  • Quick Takes – “Moonlight,” “Arrival,” & “Krisha”
  • Seven Samurai (1954)
  • The Fits (2016)
  • American Honey (2016)
  • Voyage of Time: The IMAX Experience (2016)
  • “The Witch” and the Perversion of Spirituality
  • The Godfather (1972)
  • Everybody Wants Some!! (2016)
  • Midnight Special (2016)
  • Where to Start With… Apichatpong Weerasethakul
  • Cemetery of Splendour (2016)
  • Speaking Malick: A Guide to the Director’s Unique Language
  • Once Upon a Time in China (1991)
  • The Witch (2016)
  • The Best Performances of 2015
  • The Top 20 Films of 2015
  • The Revenant (2015)
  • Star Wars: The Force Awakens (2015)
  • Spotlight (2015)
  • The Mend (2015)
  • In Jackson Heights (2015)
  • Steve Jobs (2015)
  • Bridge of Spies (2015)
  • The Walk (2015)
  • Junun (2015)
  • Sicario (2015)
  • A Trio of Recent Releases
  • Cop Car (2015)
  • The Rules of the Game (1939)
  • Queen of Earth (2015)
  • Quick Takes – Aug. 18, 2015
  • I Know Where I’m Going! (1945)
  • Top Short Films Made with Smartphone Cameras
  • Mission:Impossible – Rogue Nation (2015)
  • Horse Money (2015)
  • The Killer (1989)
  • Two Shots Fired (2015)
  • Kurt Cobain: Montage of Heck (2015)
  • A Tale of Two Biopics: “The Imitation Game” & “The Theory of Everything”
  • A Trio of Recent Indie Genre Films
  • The Top 100 Films of the Decade So Far
  • The Best Performances and Scenes of 2014
  • The Top 20 Films of 2014
  • Goodbye to Language (2014)
  • Video Essay: The Art & Politics of Jean-Luc Godard
  • Exploding Form: Late Godard and James Joyce
  • National Gallery (2014)
  • The Babadook (2014)
  • Photoset: Hybrid Images in Godard’s “Liberty and Homeland”
  • Godard’s Aesthetic Worldview via a Rare Short
  • “Weekend” and the Radicalization of Form
  • Godard-ism: Constructing Philosophy in “Vivre sa vie”
  • Godard the Film Critic
  • Where to Start With… Jean-Luc Godard
  • Listen Up Philip (2014)
  • Inherent Vice (2014)
  • The Rover (2014)
  • The Long Day Closes (1992)
  • Manakamana (2014)
  • Closed Curtain (2014)
  • The Strange Little Cat (2014)
  • Boyhood (2014)
  • E.T. the Extra-Terrestrial (1982)
  • The Clock (1945)
  • Under the Skin (2014)
  • Ordet (1955)
  • Where to Start With… Mario Bava
  • Noah (2014)
  • Nymphomaniac: Volume II (2014)
  • The Grand Budapest Hotel (2014)
  • Quick Takes – Mar. 14, 2014
  • Nymphomaniac: Volume I (2014)
  • Quick Takes – Mar. 7, 2014
  • All Quiet on the Western Front (1930)
  • The Life and Death of Colonel Blimp (1943)
  • The Best Performances of 2013
  • Grand Piano (2014)
  • The LEGO Movie (2014)
  • The Top 20 Films of 2013 – Part 2
  • The Top 20 Films of 2013 – Part 1
  • At Berkeley (2013)
  • All Is Lost (2013)
  • 12 Years a Slave (2013)
  • Gravity (2013)
  • The Secret Life of Walter Mitty (2013)
  • Far from Vietnam (1967)
  • Blue Caprice (2013)
  • I Declare War (2013)
  • Maniac (2013)
  • Alberi (2013)
  • Bottled Up (2014)
  • Whitewash (2014)
  • Adult World (2014)
  • A Tribute to Roger Ebert
  • Spring Breakers (2013)
  • Leviathan (2013)
  • Stoker (2013)
  • Oz: The Great and Powerful (2013)
  • Little Fugitive (1953)
  • New to Netflix Instant – Feb. 18
  • Side Effects (2013)
  • Some Great 2012 Films Streaming on Netflix Instant
  • Modest Reception (2013)
  • 2012: The Year in Miscellaneous Superlatives
  • The Top 20 Films of 2012 – Part 2
  • The Top 20 Films of 2012 – Part 1
  • My Review of “Cosmopolis” in the New Issue of Cineaste
  • My Film “New Jersey Transit” to Screen at The New School
  • Frances Ha (2013)
  • Final Cut – Ladies and Gentlemen (2012)
  • Passion (2013)
  • Berberian Sound Studio (2013)
  • Short Film: “New Jersey Transit”
  • Beasts of the Southern Wild (2012)
  • On the Bowery (1956)
  • Side By Side (2012)
  • More Notes on “The Clock”
  • The Dark Knight Rises (2012)
  • Long Take Film: “Bookends”
  • The Clock (2010)
  • Interview with the co-directors of “Ultimate Christian Wrestling”
  • Moonrise Kingdom (2012)
  • Andrei Tarkovsky and Digital Filmmaking
  • Magic and Loss (2010)
  • Ashes (2012)
  • Mourning (2012)
  • Rampart (2012)
  • The Avengers (2012)
  • Alien (1979)
  • The Double Hour (2011)
  • 100th Post and the Future of Film Capsule
  • Montage Film: The Classic Western Story
  • Dogville (2003)
  • A Story of Floating Weeds (1934)
  • Walter Murch & the Role of the Audience in Film
  • Sátántangó (1994)
  • The Cabin in the Woods (2012)
  • World on a Wire (1973)
  • Cannes 2012 Lineup Announced
  • THX 1138 (1971)
  • The Mouth of the Wolf (2009)
  • Once Upon a Time in Anatolia (2012)
  • Interview with Jon Shenk, Director of “The Island President”
  • The Island President (2012)
  • Q&A with Abel Ferrara, Director of 4:44 Last Day on Earth
  • 4:44 Last Day on Earth (2012)
  • The Servant (1963)
  • Werner Herzog @ BAM: Music in Film
  • The Salt of Life (2012)
  • Ten (2002)
  • The Lumières, “The Artist” and the Power of Nostalgia
  • Man with a Movie Camera (1929)
  • The Third Man (1949)
  • The Best Performances and Scenes of 2011
  • The Top 20 Films of 2011 – Part 2
  • The Top 20 Films of 2011 – Part 1
  • The Girl with the Dragon Tattoo (2011)
  • Blue Water, White Death (1971)
  • A Brighter Summer Day (1991)
  • The Interrupters (2011)
  • Scenes of a Crime (2011)
  • Richard Leacock: Capturing Reality
  • Happy People: A Year in the Taiga (2013)
  • The State of Documentary Distribution
  • Nine Halloween Recommendations
  • Doc Legend Albert Maysles at The New School
  • Captain America: The First Avenger (2011)
  • The Double Life of Véronique (1991)
  • Shame (2011)
  • Views from the New York Film Festival
  • A Dangerous Method (2011)
  • Carnage (2011)
  • The Turin Horse (2012)
  • The Loneliest Planet Q&A – NYFF
  • The Loneliest Planet (2011)
  • Melancholia (2011)
  • George Harrison: Living in the Material World (2011)
  • Celebrating World Cinema at the MFA
  • Dear Zachary: A Letter to a Son About His Father (2008)
  • Le doulos (1962)
  • Finding An Audience for Short Films
  • A Horrible Way to Die (2011)
  • Deleted scenes shed light on Uncle Boonmee’s mysteries
  • Fright Night (2011)
  • The Hired Hand (1971)
  • The Cable Guy (1996)
  • Where to Start With… Werner Herzog
  • Interview with Mike Cahill, director of Another Earth
  • Kaboom (2011)
  • The Boston French Film Festival
  • Indie Interview: Polypore
  • Carrie (1976)
  • Film Capsule Podcast #2: Escape from New York and Escape from L.A.
  • The Tree of Life (2011)
  • Super 8 (2011)
  • Rushmore (1998)
  • Film Capsule Podcast #1: Another Earth and Bellflower
  • Art on Film: June at the MFA
  • Silent Light (2007)
  • I Saw the Devil (2011)
  • Interview with Documentarian Bess O’Brien
  • Bucking Broadway (1917)
  • RoboCop (1987)
  • More Screenwriting Tips from Andrew Lanham
  • Interview with Award-winning Screenwriter Andrew Lanham
  • Super (2011)
  • Uncle Boonmee Who Can Recall His Past Lives (2011)
  • A Bucket of Blood (1959)
  • Sunrise: A Song of Two Humans (1927)
  • Indie Interview: Joy and the Apocalypse
  • Unknown (2011)
  • Zardoz (1974)
  • Sherman’s March: A Mediation to the Possibility of Romantic Love in the South During an Era of Nuclear Weapons Proliferation (1986)
  • Boston’s Cinematic Persona
  • Suspiria (1977)
  • Somewhere (2010)
  • Rosemary’s Baby (1968)
  • The Top 10 Films of 2010
  • TRON: Legacy (2010)
  • True Grit (2010)
  • Kings and Queen (2004)
  • Enter the Void (2010)
  • 127 Hours (2010)
  • The Stranger (1946)
  • Zelig (1983)
  • Age of Consent (1969)
  • Tetsuo, the Iron Man (1989)
  • Sullivan’s Travels (1942)
  • The Social Network (2010)
  • Welcome to Film Capsule

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  • by John DeCarli

  • VARIABLES


    Articles and essays
    on the Art and Politics
    of Jean-Luc Godard
  • About

    FilmCapsule.com features reviews of movies new and old, essays on film form, director interviews, and more.

    I hold an MA in Media Studies, and have contributed to Cineaste Magazine and the Christian Science Monitor.
    Follow me on Letterboxd here.

    Questions? Comments? filmcapsuleblog@gmail.com twitter.com/filmcapsule
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